The BEST Tom Petty site on the net!
Tom Petty Concert Dates

Tom Petty News
The Tom Petty Vault
Tom Petty Chat Room
Tom Petty & The Heartbreakers Messageboard
Tom Petty Pictures
Tom Petty & The Heartbreakers - More than you want to know!
Tom Petty Discography
Tom Petty Videos






Buy Everyly Strings Here! "Everly's are the best strings out there, I won't use anything else"
-- Tom Petty


Atlanta Journal-Constitution gonegator.com Review Nothing Petty
On This Site If You're
A Fan Of Tom's!

"Bookmark it only if you're a Petty fan, in which case gonegator.com is where you want to be."

- July 2001

"I Want to Thank
Sean for keeping such a great site [gonegator.com] up and running while this one [tompetty
.com] languished away. He does quite an amazing job."
Adria Petty
- December 2002

USA Today
Musician Farewell
"Touching Tribute to Howie Epstein"
- February 2003

2006

July - August
June
May
April
March
2005

December
November
October
June
May
April
March
February

2004

November
October
September
August
July
February
January

2003

December
October
September
August
July
June
May
April
March
February
January

2002

December
November
October
September
August
July
June
May
April
March
February
January

2001

December
November
October
September
August
July
June
May
April
March
February
January

2000

December
November
October
September
gonegator.com Tom Petty News - June 2002
June 30 2002

Tom Petty Griping About the Music Industry? Nah, It's Just a Metaphor

By STEVE HOCHMAN
LA Times

A lot of people will hear Tom Petty's upcoming album, "The Last DJ," as an indictment of the music business. The title song, for example, decries the centralization and depersonalization of radio programming. "Money Becomes King" is the narrative of a disheartened fan who watches a rock hero's values and art get lost in a sea of commercialism, to a point where the fan feels that "all the music gave me was a craving for lite beer."

Petty, however, advises fans not to take things too literally.

"It's not about the music business," he says of the album, due in October (October 8th as reported here earlier this month!). "That's familiar turf for me, so it works as a good metaphor. The music business is too easy a target to make it the enemy. Probably the biggest focal point of the things I'm talking about is the audience. What I find interesting these days is what the audience is willing to accept. I often wonder if they even care. I don't want to believe that....But there's a huge celebration of mediocrity in our culture, and I don't remember it to this extent before."

Petty, inducted into the Rock and Roll Hall of Fame in February, started writing the album two years ago, focusing ideas and discussions he'd had over a long time.

"I saw it as a little audio movie," he says. "There are a few characters and, I guess, a loose concept. But I didn't want it to be too defined, too nailed down to where it's all a narrative. I wrote a love song or two. I felt that these people had to have some hope in their lives. By the end of the thing it's an optimistic view. The last line is: 'You can't stop a man from dreaming.' "

The topic proved to be inspiring not just lyrically, but also musically to Petty and his band, the Heartbreakers. Working with producer George Drakoulias, they crafted arguably the most dynamic music they've made in a decade, exploring new textures in toughened, dramatic, upbeat songs, and in such ballads as "Dreamville" and "Like a Diamond," each featuring rich orchestral touches by Jon Brion.

Soon, however, the album will face many of the same issues it addresses.

"The irony is that it's a commentary on how difficult it is to sell an album this good," says Warner Bros. Records executive Jeff Ayeroff, who will oversee the album's promotion campaign. "We're not professing to have all the answers but will try different ways to reach the audience."

Ayeroff and Warner Executive Vice President Diarmuid Quinn say the album calls for innovative presentations outside conventional radio and video avenues, which haven't much supported new music by veteran rock artists in recent years anyway.

First off, Petty and the Heartbreakers are performing several songs from the album on a new summer tour, which comes to Glen Helen Blockbuster Pavilion Aug. 24. And in the three months leading to its release, various Internet-based promotions, a possible "making of" documentary from footage shot by director Martin Atkins and other activities are planned to show the album as a complete work.

"It's pivotal that people hear the album as a whole," Quinn says. "The songs on their own hold up well. But it's meant to be heard in its entirety."

June 28, 2002

Petty brings so much good stuff to a show

By John Sinkevics
The Grand Rapids Press

Tom Petty loves to keep his crew guessing, often holding back the Heartbreakers' set list and opening song until minutes before the houselights go out, even on the first night of a major tour.

On Thursday, he cut 'em some slack, just a teeny bit of slack, and sent out the song roster about an hour before showtime.

Of course, when you've got about three-zillion sure-fire, pump-up-the-crowd hits to choose from, it doesn't really matter what tune gets picked to kick off your first major tour in three years, now does it?

On a perfect summer evening in Grand Rapids, on the first night of his North American tour, Petty made the perfect choice: the uptempo "I Need to Know," from 1978's "You're Gonna Get It."

Not only did the opening chords of one of the band's first bona fide hit singles elicit the appropriate, expected raucous fan response but it must have made bassist Ron Blair feel comfortable, like coming home again, considering he was a key cog in the original Heartbreakers when the song helped propel Petty down the path to rock 'n' roll stardom.

Blair returned to the Heartbreakers earlier this year after a 20-year hiatus when the band cut ties with troubled bassist Howie Epstein, who had replaced Blair once upon a time.

Actually -- though it was the first date of a two-month tour -- achieving a level of comfort on stage didn't seem a problem for Blair or Petty or any of the Heartbreakers, who dove gleefully and enthusiastically into their arsenal of Hall of Fame, roots-rock anthems -- "I Won't Back Down," followed by "Refugee," followed by "Mary Jane's Last Dance," followed by "Here Comes My Girl," etc., etc., etc.

Heck, Petty and the Heartbreakers have more "etc." tunes that everybody under the age of 55 knows all the words to than any American rock songwriter. If the guys had any first-date jitters about playing these classics, well, they kept them well disguised in front of the near-sellout, ebullient crowd of about 10,000.

Sure, there were more than the usual pregnant pauses between songs during the two-hour-and-three-minute show as the guys huddled to check the set list, and Mike Campbell's guitar and Benmont Tench's keyboards occasionally strained to cut through the band's wall of sound, and plenty of head nods and eye winks were needed to cue endings to a few longer-than-necessary guitar jams, but the Heartbreakers left little doubt that they're back, they're confident and they're happy.

(Chicago R&/gospel singer Mavis Staples, a late and somewhat unusual choice as the opening act in Grand Rapids, got things rolling with a 44-minute set of old soul hits. Brian Setzer will open for Petty starting tonight in Cleveland; Jackson Browne opens the second leg of the tour starting in August.)

Playing in front of an innovative, futuristic backdrop with constantly changing images and swirling colors, the irrepressible grin-aholic Petty and his bandmates, dressed in dark suit jackets to start the night, clearly relished their return to the stage and their return to Van Andel Arena, where they launched their "Echo" tour in 1999.

"It's lovely to be with you here again in Grand Rapids," Petty told the crowd, which seemed to consider every other song a karaoke opportunity. "This is pretty exciting for me. It's sure a great feeling being up here with my band of 25 years."

The feel-good evidence was everywhere:

Petty doing joyful pirouettes, extending his guitar like a bayonet on "Even the Losers" as he marched across stage with his long blond hair bobbing behind, and casually flipping a guitar pick into the adoring throng after "It's Good to be King" as if he really were a king;

Campbell pumping his fist good-naturedly at Tench after "Here Comes My Girl" and shaking his big-hair locks furiously while soloing on "You Wreck Me;"

Blair raising his arm triumphantly to audience roars after Petty introduced him as one of the "original Heartbreakers."

Petty and company felt so good, they even took a chance by trotting out three new songs, one after the other, from the band's upcoming "The Last DJ" album, slated for release in October.

"This is the first time we've played this, and it's scarin' me to death," Petty joked before launching into "Can't Stop the Sun," a psychedelic, Beatle-flavored ditty that produced Campbell's finest, wah-wah-pedal-enhanced guitar licks of the night.

All three tunes earned surprisingly favorable audience reactions, with "Have Love, Will Travel" getting my vote as the "New Song Most Likely to Keep Die-Hard Petty Fans Happy" with its jangly, roots-rock flavor and classic Petty lyrics.

But nothing fired up those die-hard Petty fans quite as much the oldest, and last, song on the night's docket: 1976's "American Girl," which closed out a thunderous three-song encore.

"You know, we won't forget you here in Grand Rapids," the broadly smiling Petty vowed before taking bows with his band and departing the stage.

Grand Rapids won't forget either.

June 28, 2002

Rock star just glad to be a member of the band

Gary Graff
Special to the Plain Dealer

A dozen years ago, Tom Petty declared that "in a world that keeps on pushin' me around . . . I'll stand my ground, and I won't back down."

Of course, he hadn't in the years leading up to that, and he certainly hasn't at any point since.

Since the 1976 release of his debut album, the Florida-born Petty has staunchly and unapologetically pursued his own instincts in music making. Sometimes it's meant fighting his record companies over anything from contracts to the retail price of his albums. And sometimes it's meant battling the members of his band, the Heartbreakers - even taking time out twice to record two albums on his own.

But all of that has only made Petty a pinnacle of rock 'n' roll credibility, a true believer who hasn't lost the spirit that pushed him to make music in the first place.

"You've really got to keep that spirit alive - and work to do it," says Petty, who, along with the Heartbreakers, was inducted into the Rock and Roll Hall of Fame last March. "It's a hard thing to nail down. I've seen people that have been around a long time and they just fall into routine and self-parody. That's not the way we want to wind up. We want to keep this thing fresh."

"And we really believe in this music, this rock 'n' roll music that we're playing. We want to keep it fresh and contemporary and avoid any sort of routine to it."

Petty's career, and life, have hardly been routine, withstanding the aforementioned musical issues in addition to injury, a fire that destroyed his Los Angeles home during 1987, stalkers and divorce. But as Petty and the Heartbreakers work on their next album, "The Golden Circle," the blond-haired singer, songwriter and guitarist has also been spending time celebrating his association with his band.

"I think I'd be lost without these people to play with," says Petty, who has two grown daughters and remarried during 2001. "I look up now, and I really appreciate that I get to play with people who are great musicians and my friends at the same time. I don't think I'd be interested in doing this much if I were just going out and hiring faceless musicians to play parts and stuff. I don't think I'd like that."

Heartbreakers guitarist Mike Campbell seconds Petty's notion that the band is in particularly strong shape these days.

"We're very happy to be here," Campbell, 48, notes. "We're happy we've still got an audience and can play. There's a lot of confidence that we have played together for so long."

Petty and Campbell acknowledge that there have been precarious points along the way. Petty's decision to work in the all-star side project the Traveling Wilburys - with Bob Dylan, George Harrison, Roy Orbison and Jeff Lynne - during 1988 disarmed his bandmates and started rumors that he'd be splitting from the Heartbreakers. So did the 1989 album "Full Moon Fever," released only under Petty's name even though most of the Heartbreakers performed on it.

Original Heartbreakers drummer Stan Lynch was the most vociferous in his objections to Petty's outside activities and eventually left the group during the early '90s. But Petty - who released a second solo album, "Wildflowers," in 1994 - contends that there was no need to worry.

"There might have been some concern on their part when I did the solo albums that I was drifting away," he says. "But I wasn't, really. I've always felt like a member of the band, and I think they've always treated me like a member of the band."

To a degree. Campbell acknowledges that Petty is "the guy who writes the songs. He's the leader of the group."

But Petty says there's still "no special treatment for me other than what would be expected of me. I'm the singer, so I have to sing all the songs and everybody recognizes all that. But I don't think I'm treated any differently; I don't ride in a bigger car or stay in a bigger room or anything."

Still, what impacts on Petty often weighs heavier on the Heartbreakers than events in the other musicians' lives. The 1999 album "Echo," for instance, was delayed while Petty was going through his divorce.

"It was hard for him to focus for a while, understandably," says Campbell. "There were times when he'd say 'I can't work today; I have too many things that I'm dealing with right now.' And we'd go 'OK' and just wait. I think actually, in a way, working on that record probably helped him at that point, just to sort of get back into focus as to what he wanted to do. But it did slow us down."

Now, however, Petty gives the impression of someone who's ready to go full speed ahead. Original bassist Ron Blair, who left the group during 1982, is back in the Heartbreakers, and a passel of new songs are just waiting for release, and may well be debuted at some of the shows on the group's current tour.

In fact, the ability to throw unfamiliar material at his audiences - be it covers or new originals - is one of the things that keeps Petty engaged these days.

"I think a lot of people expect us to come out and play our greatest-hits album, which is not what we're really about," he says. "You have to feel freed up of any expectations or preconceptions that people have and hope the audience just swings with that idea."

June 24, 2002

The Time Is Right For The Sounds of Petty and the Heartbreakers
From Ohio newspaper... Didn't like this guys comment about innovation. I don't recall hearing any songs by John Petkovic, do you?

John Petkovic
Plain Dealer Reporter

Tom Petty was born too late. Lucky him.

When the Florida rocker debuted in 1976 with his band the Heartbreakers, he was a man out of time. His sound had nothing to do with the trends of the day - metal, punk, new wave, progressive. Rather, it hearkened back to the 1960s, when Bob Dylan, the Byrds and the Rolling Stones blurred the lines between folk, pop and the blues.

Ten years too late and just in time, the Heartbreakers stood as a stark contrast to the bloated arena rock acts of the day. They also managed to appear just when their heroes were disappearing or morphing into disco bands.

Lady luck strikes again. You see, Petty sounds best on his own terms - far, far away from his heroes. The reason is simple: He's nowhere as innovative as Dylan, the Byrds or the Stones, but he is adept at summoning the sounds and spirit they pioneered.

June 23, 2002

If you play it, they will come, Tom Petty finds
By John Sinkevics
The Grand Rapids Press

His new album, "The Last DJ," won't even come out until October.

His veteran band must break in a new bass player who's really the old bass player, though he hasn't played with the guys in 20 years or so.

But Tom Petty and the Heartbreakers are hitting the road again anyway, kicking off a much-anticipated summer tour in Grand Rapids for the second time in three years.

"The traditional way of doing it is to go out on tour and promote a new record," quipped Jim Lenahan, Petty's set and lighting designer for the past 28 years.

"We discovered last summer (on a one-month, sold- out tour) that when you're Tom Petty, that's not necessary for people to want to come out and see you. I told him last summer, 'You've kind of reached the place where you can play anytime you want to play and people will come.' "

Maybe that's because Petty and company -- who play Grand Rapids' Van Andel Arena on Thursday to begin a 32-date tour -- have become much-beloved rock music icons on the strength of standards such as "American Girl," "Refugee," "Mary Jane's Last Dance" and "Free Fallin'."

And having an American institution choose to start its tour again in Grand Rapids has some folks buzzing.

"It's a good building, a good audience and good people to work with," said Barbara Skydell, Petty's New York agent, who contacted Van Andel Arena to book the opening show just three years after the band launched its 1999 summer tour here.

"We had a really good experience in Grand Rapids, very positive. The building is terrific, and the audience is terrific, so we said, 'Hey, we want to repeat that experience.' "

Grand Rapids' Midwest location makes it "a good place to kick off a tour," Skydell added. "You can go to a lot of places from there, so it makes sense for all those reasons."

Arena manager Rich MacKeigan said landing the first stop was "very much agent, management and artist driven. It is intentional that they're starting here."

That type of decision doesn't go unnoticed, he said.

"People are aware of it in the entertainment industry," he said. "If an artist like Tom Petty chooses to start his tour here not once but twice, they say that he obviously had a good experience here. Tom Petty is an absolute professional who has toured for a number of years."

Even though there's no new album to promote, Lenahan said band members apparently "got bored with the studio and wanted to play" a summer tour.

Petty and band members Mike Campbell (guitar), Benmont Tench (keyboards) and Ron Blair (bass) plan to arrive in Grand Rapids a day ahead of the first show for rehearsals and lighting run-throughs at the arena, Lenahan and MacKeigan confirmed.

The band has been rehearsing in Los Angeles, with Lenahan preparing a new stage setup and programming the show's computerized lighting system.

"Right now, they're just trying to figure out how to do the old songs with the new guy (Blair)," Lenahan said in a telephone interview from Los Angeles earlier this month.

Blair, the Heartbreakers' original bass player, quit the band in 1982 and was replaced by Howie Epstein. He rejoined the group earlier this year after the Heartbreakers announced they had parted ways with Epstein "because of his ongoing personal problems."

(Epstein and his companion, Carlene Carter, stepdaughter of country music singer Johnny Cash, were arrested last year in a vehicle that reportedly was stolen and contained a small amount of heroin. However, Epstein wasn't charged, and charges against Carter eventually were dismissed.)

With or without Epstein, Petty and his cohorts have established themselves as true American roots-rock heroes, which hasn't escaped the attention of critics and fans across the globe.

British music critic Adam Sweeting once described Petty and his band as being "among the last surviving American classics" because similarly influential groups such as the Byrds and the Band no longer are around. Indeed, the band was a first-ballot inductee into the Rock 'n' Roll Hall of Fame in March.

"I called him (Petty) and I said, 'I always knew you were going to get in, but it was pretty impressive that you got in on your first year of eligibility,' " Lenahan said of the induction.

And while the band's last studio album, "Echo," wasn't a runaway commercial success, the 1999 tour to promote it ranked among the year's 15 top-selling tours, according to Pollstar, the music industry's concert tracker.

Lenahan said Petty's new stage setup would feature "pretty clean lines" with "fabric panels stretched across it to give surfaces to throw lighting on" -- in other words, a streamlined look.

"It's still taking shape, but it's evolving into something pretty nice," said Lenahan, who attended high school with Petty in Florida.

As for the set list, Lenahan speculated the boys would focus on many of their biggest hits, though they've been playing some new material from the upcoming album in rehearsals.

"Like any band, there are certain songs that are probably going to be in the show," he said. "There's a pretty good chance he's going to play 'Free Fallin' ' in there somewhere.

"But anything could change with this guy," Lenahan said. "If he doesn't feel like playing it that night, he won't play it. You've got to be thinking on your feet."

June 20, 2002

The Last DJ - Just got off the phone with a friend who works for WEA Distribution. He said that his boss was at a Sales Manager meeting in Arizona last week and they got to hear 2 songs from the new Tom Petty & The Heartbreakers album. He said "they were PHENOMENAL!"

According to the Warner Brothers upcoming release sheet, The Last DJ is TENTATIVELY scheduled for an October 8th release. For those who don't know, ALL US Releases are released on Tuesdays. There are 5 Tuesdays in October. We all know how reliable the music industry is! Just know that this is a TENTATIVE date!!!

June 18, 2002

No Nukes Seats - According to the official site, Tom Petty & Jackson Browne have made available "band hold" seats through the Guacamole Fund (No joke, that's their name!)

I've got a call in to the company and I'm waiting on specifics. I will let you know as soon as I find out. Their site only lists Jackson Browne and the link doesn't work. So, I'm assuming these tix will only be available on the 2nd leg of the tour. The official site says these are NOT Golden Circle tickets, but the Guacamole Fund has done a similar service for Bonnie Raitt. They called her tix "Golden & Silver Circle tickets."

You can call (800) 728-6223 or click here.

June 15, 2002

All-Time Leader - "Darkness, Darkness" by Robert Plant debuts at No. 39 on Mainstream Rock Tracks, giving the legendary artist his 40th overall appearance on that chart. It's also his first appearance as a solo artist there in more than eight years, since "I Believe" peaked at No. 9 in October 1993. Plant has charted 28 times as a solo artist, six times with Led Zeppelin, four with Jimmy Page, and twice with the Honeydrippers. Plant is the seventh artist to chart 40 times or more in the 21-year history of Mainstream Rock Tracks, tying him for sixth place overall with Aerosmith, also with 40. Tom Petty is the all-time leader, with 46 chart appearances.

Unfortunately they only have data since 1985 on their premium site. (But we all can assume what the hits were!) With a new album out in October, the only one to break this record will be Tom Petty & The Heartbreakers!

03/16/1985 Don t Come Around Here No More
04/06/1985 Rebels
06/15/1985 Make It Better (Forget About Me)
12/21/1985 So You Want To Be A Rock
12/28/1985 Needles And Pins Tom Petty
04/18/1987 Jammin Me
05/09/1987 Runaway Trains
06/20/1987 Think About Me
08/01/1987 All Mixed Up
04/15/1989 I Won t Back Down
05/06/1989 Runnin Down A Dream
05/06/1989 Feel A Whole Lot Better
05/06/1989 Free Fallin
09/30/1989 Love Is A Long Road
02/03/1990 A Face In The Crowd
04/28/1990 Yer So Bad
06/22/1991 Learning To Fly
07/20/1991 Out In The Cold
09/28/1991 Into The Great Wide Open
12/21/1991 King s Highway
04/04/1992 Makin Some Noise
11/06/1993 Mary Jane s Last Dance
11/13/1993 Mary Jane's Last Dance
02/05/1994 Something In The Air
11/05/1994 You Don t Know How It Feels
12/10/1994 You Wreck Me
01/07/1995 You Don't Know How It Feels
04/08/1995 It's Good To Be King
07/22/1995 A Higher Place
11/11/1995 Cabin Down Below
12/09/1995 Waiting For Tonight
07/27/1996 Walls
10/12/1996 Climb That Hill
01/04/1997 Change The Locks
03/13/1999 Free Girl Now
04/24/1999 Room At The Top
07/31/1999 Swingin

June 7, 2002

He Won't Back Down! - As Tom Petty gears up for his 32-date summer tour of arenas and amphitheaters, the artist will stick with his previously stated intention to eschew gold-circle/VIP seating, along with the hefty prices that typically accompany them. Longtime Petty manager Tony Dimitriades of East End Management defines gold-circle tickets as "a few select seats, normally in the first area near the stage, with [fans] charged an exorbitant amount of money for the privilege of being treated differently from others. That smacks of segregation in Tom Petty's mind and is totally against what rock'n'roll is all about."

Dimitriades says tickets for Petty's tour—which begins June 27 at Van Andel Arena in Grand Rapids, Mich.—range from $22 to $77, without any gold-circle or VIP ducats on the manifest. "Some promoters have said, 'That's crazy; we could be charging $75-$85," Dimitriades reports. So what if scalpers charge that and more? "Scalping is not something the artist encourages or allows," he points out. "But with gold circle, the artist has the right to say he doesn't want to do this, and if you have any leverage whatsoever, the promoter will go along with it."

Which obviously appears to be the case with Petty. "We're in a partnership with these artists, and we're going to do what they feel is right for their audience," House of Blues Concerts senior VP Larry Vallon says. "We're fine with scaling tickets however Tom wants them, and not having a gold circle is fine with us. Tom Petty has always been a champion for the fans, dating back to when he argued with the record company about what they could charge for his albums. He has never wanted to gouge his fans, and that's why he has career longevity and why he's selling places out."

Petty's new album, which boasts a working title of The Last DJ, is due in October on MCA (interesting, I thought he was signed to WB).

June 2, 2002

New Album/Happy Anniversary - Straight from the horse's mouth (well, the horse's wife). Dana Petty posted this message on the official BBS today:

I just have to tell you all that the new CD is completed. And I believe it is, perhaps, their finest work ever! I am so proud of the guys. It truly blows the mind .... could be their masterpiece. The tour is going to be awesome.

Lastly, Tom wanted you all to know (first) that the record will be titled; "The Last Deejay."

I think it's awesome that Dana takes the time to post on the official BBS. Thanks Dana and HAPPY ANNIVERSARY!

Tomorrow will be Tom & Dana's 1st wedding anniversary. They married June 3rd 2001 in Las Vegas with no guests to get the legal matters taken care of. They were then remarried on June 21 by Little Richard with friends and family in attendance.

Dana & Tom
Dana & Tom

Google
 
Web GoneGator.Com
Tom Petty & The Heartbreakers on Demand! - FREE trial
© 1999 - 2004 gonegator.com. All rights reserved.
info@gonegator.com | Anti-Spam